Monday, January 2, 2012

Seizui - The Opening

I'd dearly love to thank all of you for your wonderful response, support, and feed back regarding 'Seizui' - the exhibition in the Long Gallery at Montsalvat which ran through the month of August.

The opening evening was over and beyond my expectation with around one hundred in attendance. A warm and heartfelt thank you to Rob Hauser, the CEO at Montsalvat and Shane Pugh from the Dunmoochin Foundation for your warm opening words.



                                                          (Photos : Amanda Gibson)



Here is an excerpt from Shane Pugh's speech,

.... "Good art to me is a medium that gives me room to bring my imagination, memories and fantasy's too. Nerina's artworks are very evocative. I am inspired by these delightful artworks.
The Haiku poetry / of few words, expressing so much for the imagination of the reader to play with. Nerina's artwork is a reflection of her passion and skill in creating Haiku in a visual medium, for you to bring your imagination to.
Nerina is asking you to feel your response to her imagery; she has created beautiful images stories, full of symbolism colour and texture.
Nerina's skill with metallic's and mediums give enhancement depth and perspective to her visual stories.
Nerina's work is delightful and inspirational. Nerina's personality and approach to her art is absolutely genuine. Her work comes through her passion, imagination and quest of life.
I find her work very accessible, I enjoy where the images take me, the poetry adds another dimension to my visual journey.As a director of, and on behalf of the Dunmoochin Foundation, where Nerina is currently an artist in residence, I commend her dedication to her arts practice, her participation and co-ordination of the Open Studio's program and her community arts participation. It is artists like nerina that fulfil the Foundation's purpose as evidenced in her artwork"

Shane Pugh



And thank you yet again to the lovely Jeanette Davison has also written up a lovely blog article in ISIIAD regarding the exhibition. In her post titled, 'The Essence of Nerina' she spent several hours interviewing me with regards to the exhibition and my creative process in the studio.The following is a small excerpt from her blog. (text and photography by Jeanette Davison)


Click on the image to read more...

Sunday, January 1, 2012

'Seizui - Essence' - Montsalvat

SEIZUI6 - 8pm Thursday 1st September 2011Exhibition runs until October 2nd






In September 2011 I was simply delighted to have had the opportunity to exhibit a completely new exhibition of paintings at Montsalvat.


 


Lying down on my back
the Spring sunshine
filled my mouth
SEIBI




The title of this exhibition ‘Seizui’ (Japanese for ‘Essence’)
Each of the 14 works in this exhibition have been inspired after the reading and contemplation of a series of Haiku poems by the Japanese masters. For each poem chosen, I have endeavoured to extract the ‘essence’ and bring the inherent imagery to life through a visual interpretation.
The haiku is an evocative Japanese verse, which embodies a direct intuitive penetration into nature, and life, which offers insight, joy and truth to readers. A simple verse encapsulates a multi-sensory experience of one’s environment.
In the case of Zen Haiku, language becomes a painting, a drawing, a story, a song. Form and formless melt together, so that the poem is experienced, the reader may enter a timeless moment- a space of stillness or meditation. When contemplating the haiku, a deeper presence of life and nature maybe felt beneath the human mental and physical constructs of form.




Lightening flash
flying toward the darkness
heron's voice
BASHO




Through the combination of both Haiku and painting, traditionally termed ‘Haiga’ the aim is to invite the viewer to perhaps experience a similar ‘timeless moment’ or to experience a ‘deeper presence of life’
Japanese masters such as Basho, Issa, Shikki and Buson, have written countless haiku poems portraying their experience of nature and life in Japan. And similarly, monks and artists of ancient Japan painted with a poetic reverence beautiful depictions of their natural world; the seasons, flora and fauna.

After having been living at Dunmoochin for over a year now, one simply cannot help being influenced by the beauty and magic of the Australian bush which encouraged my to translate some of these Japanese haiku using imagery which is more local to this region; including red box and long leaf box eucalypts.




click on image to view online article





SEIZUI - THE PAINTINGS








Long Gallery, Montsalvat, 7 Hillcrest Ave. Eltham (Mel. 22A8)
Contact - (03) 9439 7712


Wednesday, July 6, 2011

Open Studios April - May 2011



Nillumbik is 30 kilometres northeast of Melbourne, and it is considered to be one of the best kept secrets of our city, which can explain why many had not heard of the Nillumbick Artists’ Open Studio event. The magnificent local natural beauty has attracted and nurtured creativity in the artists who have lived in this area for decades.



Open studios are wonderful to experience. It allows for visitors to tour the artists’ environment, meet the creative individuals who open their homes and studios and gain an insight into an their working practice, as well as familiarise themselves with the artists’ work. May 1 & 2, 31 artists participate (24 studios) and showcase several disciplines including sculpture, drawing, jewellery, painting, printmaking, photography, ceramics and textiles.





At Dunmoochin, I opened my doors of 'Clif's New Studio' to welcome over 150 visitors over two days.

For more information : www.artistsopenstudios.com.au



Visitors to Dunmoochin Open Studios ... travelling in style!!

Saturday, January 29, 2011

A magical Window into the world of the Chough


The ‘White Winged Chough’ is truly symonomous with Dunmoochin. So many of the artists who have spent time here have experienced sense of connection with the local chough families. This bird has been the inspitration for paintings, prints, sculptures, songs and stories over many decades. The choughs fly through the bush squarking with a spine tingling, echoing, prehistoric call - which invokes within me a sense of awe and respect.



I have been incredibly fortunate to have also formed a connection with these majestic creatures. Upon first glance the chough initially apprears like a crow or a raven, yet they travel in families of several birds – a community – which look out for, preen, feed and protect each other. They have distinctive red eyes and flashes of white on their wings as they fly.



Since moving to Dunmoochin, the choughs come close to my cottage each morning waiting for the possible share of my museli or a handful of wild birdseed. I am absolutely honoured to have become so close to this particular cough community that I can recognise some of the individual personalities, but even more so to witness their sense of community, family and ‘working as a team’. I reflect on my own life as a human and experience a distant longing to return to the stability , simplicity and sense of belonging to tribal human community.




Shane Pugh, Clif’s son who has lived in the area since childhood, tells stories of watching one chough digging a shallow pit in the dust to lie in. Then one by one the rest of the choughs would take it in turns to jump on the buried chough – thus teasing out its feathers; using their claws to enhance a dust bath and preening. Truly remarkable!



About six weeks ago I noticed a nest high in a gum tree in the bush below my cottage. A pair of chough chicks could be seen over the edge of the mud nest rim. Initially I suspected that the chough I saw with the two chicks must have been their mother – but shortly after, another, then another, then another chough came to the nest to feed the chicks. They were ALL collecting food to take back to the nest!!!







This endered me to these beautiful birds even more deeply and I watched the commited chough family feed the two chicks continually. Over time the babies grew large enough to leave the nest.



Yesterday was that very day!!



I was witness to a small window of the miracle of nature….. in the wild. What an absolute treasure to have been privy to such a miracle. Observing this allowed me to imagine both the enormousness and the sense of vulnerability that these baby birds may have experienced on this monumental day. Watching the beautiful, patient cycles of nature reminded me of my connection to the very same cycles and source of life.




One can get so very lost in the fast paced hustle-bustle of modern society. Fear, impatience, disconnection, isolation, a need to control and a lack of trust in life are qualities that one sees on a daily basis within human society. All of these mundane concerns fade into the background when nature offers such beautiful gifts. When sitting observing this miraculous moment of nature, nothing else mattered. A conscious clarity was awakened.
                                 


A bit more about these beautiful creatures:

“White winged Choughs” are native to Australia and are one of just two surviving members of the family Corcoracidae, the Australian mud-nest builders, and the only member of the genus Corcorax. Choughs are large, black birds — at about 45 cm only a little smaller than a raven or a little larger than a Magpie — but have red eyes and a finer, slightly down-curved beak. In flight, the large white eye-patches in the wings are immediately obvious.

They were once common through the drier woodlands and open forests of south-eastern Australia, from near the South Australia - Western Australia border as far north as Townsville. Although still common in patches where good habitat survives, Choughs are weak flyers and do not cope well with habitat fragmentation, so many surviving populations are isolated and thus vulnerable.

Choughs are territorial and highly social, living in flocks of from about 4 up to about 20 birds, usually all the offspring of a single pair.

Nesting and breeding is communal, all members of the family helping to raise the young — a process that takes several years, as young birds must learn the art of finding food in the dry Australian bush.

The mud nest will be re-rendered to be used again the following season.

White-winged Choughs can often be seen on the fringes of urban areas if natural bush survives nearby. They can become quite tame and will venture into gardens regularly if conditions are suitable: they need trees for shelter nearby, leaf-litter to search for food in, and protection from domestic pets.


Wednesday, January 5, 2011

November 2010 - Artist's Open Studios


The last two weekends in November were the Artist's Opens Studios in this, the Nillumbik region. Again, what a marvelous opportunity to open the doors of my studio to meet the general public.

"Within Victoria, Nillumbik is undoubtedly a special place with a unique quality of life. The natural beauty of the area has attracted and nurtured creativity in a vibrant community which continues to thrive. Our Open Studios Program offers a fabulous opportunity to experience this first hand, as artists open their doors to you. Talk with our artists and see them at work. 34 artists in 24 studios... there's something for everyone. Disciplines include painting, drawing, sculpture, printmaking, ceramics, jewellery, textiles and photography.

Inspire yourself. You know you want to!"


(Blurb from rear of Open Studios booklet)

Click to view Open Studios Website



Having lived in the Nillumbik Shire for most of my life, it is a great honour to be a part of the program. As a 'new kid on the block', I experienced tremendous excitement in setting up and preparing to open my doors. Being an artist tucked away in my studio is generally a secluded experience... but here was an opportunity for me to energetically connect with the artistic community of the region. Having been to Bali over 20 times in the past, I would marvel at their sense of all pulling together to prepare for a ritual or celebration. Here.... I felt a similar sense of connecting with other local artists to prepare a showcase to offer back to society. Putting balloons up on the sign posts along the roadside was likened to decorating bamboo poles along the Balinese roads before a ceremony.

I have heard in the past that some people feel quite intimidated by artists... and therefore labelling them weird or eccentric, and even though this is sometimes the case, I thoroughly enjoyed welcoming each guest with a big smile to dissolve any preconceptions.


Dunmoochin is really a place of great intrigue within our community also. As Dunmoochin is closed to the general public throughout most of the year, people were drawn to explore the grounds and imagine the life that Cliff Pugh and many other artists lived in days gone by.




(Click image to read online article)


On each of the four days of the November Open Studios an average of 80 people passed through the Dunmoochin Studios where Liz Vercoe and myself showed our paintings and Jeanette Dyke her handcrafted gold and silver jewellery. Singer-songwriter Rachael Byrnes, who is also an artist in residence here at Dunmoochin positioned a bell on a podium below her first story window. When visitors rang the bell, she would appear on her balcony and sing a song. Andrew Garton, a musician and filmmaker who is another artist in residence, put on a spectacular evening where he screened his latest documentary, 'Sarawak Gone' and performed with several other musicians.



My Studio



The Long Gallery



Rachael Byrnes - Singing from her balcony!




November 2010 - "SONZAI - Existence", East and West Art Gallery


In November 2010, I had another solo exhibition at ‘East and West’ Art Gallery in Kew, Victoria.




The title of this exhibition is “Sonzai” which is Japanese for ‘Existence’

In the Western thought, existence is the world we are aware of through our senses. Materialism holds that the only thing that exists is matter that all things are composed of material, and all phenomena are the result of material interactions. In other words, matter is the only substance.

In Eastern philosophy, on the other hand, "impermanence" describes existence. In reality there is no thing that ultimately ceases to exist; only the appearance of a thing ceases as it changes from one form to another. The philosophical meaning of the Sanskrit word 'Satya' is "unchangeable", “that which is beyond distinctions of time, space, and person" and "that which pervades the universe in all its constancy". Existence is the vast space or stillness from which all forms arise and in time dissolve.



Click on invitation above to view the paintings from 'Sonzai' on my website


This exhibition of new works depicts a variety of landscapes in which the elements of both form or matter and space or stillness coexist. The landscapes in this exhibition are not completely identified with physical form, but not entirely of spirit either. They represent a middle ground between form and the formless. Figures and objects in the paintings are easily defined by the mind but perhaps not as easily comprehended, yet equally as important are the areas of space, which suggest a magical, mythical dimension beyond form.