Saturday, August 27, 2016

Art Demonstration


I recently had the delightful experience of hosting a demonstration evening at a local 'Arts Society'.

Painting in one's own studio is generally  a solitary experience and it sees that over many years artist's tend to develop their preferred mode of expression.  For me, the combination of collage, printing, painting and application of 'encaustic wax' has now become a part of my 'art-making regime' so to speak.

I was introduced to encaustic wax over 25 years ago at art school. During the same period I was also using all sorts of different collage mediums to incorporate into my paintings. I recall screwing up paper tightly then applying paint to the creased paper.... and finally ironing each sheet. This gave me some interesting textures. Back in the art school days I completed a post graduate thesis on the 'Spiritual in Art'  with a particular focus on 'Synesthesia'. (the overlapping of the senses)

In this body of work I endeavored paint music from different tribes and cultures of the globe. Interestingly, with these early works I combined paper collage, paint, drawing and encaustic wax in a similar way that I do today.  Not only was I using paper collage, but I made papier mache frames for each painting as another representation of our link to the natural world and the planet.


(photos courtesy of DVArts Society)


During the presentation I initially explained about my influences and inspiration though the decades that I've been making art.  Since completing University, my work has been inspired by native cultures of the earth that may be able to offer us in the West a glimpse of how to live with more 'connection' to each other and the planet.  Early influences took me to parts of Africa, South America and Asia. I was also researching the art and culture of The Native American Indians, Australian Aboriginals, Tibetan monks and other Shamanic cultures across the globe.  As the years passed, my focus began to hone in on Asia and more recently the ancient arts, culture and philosophy of Japan.
More recently again, and my paintings appear to combine both the Japanese influence as well as including subject from the natural world more locally to where I live.

I showed the audience an array of materials that I would typically use within a painting - from gold and silver leaf to metallic foils and wallpapers and from Japanese Kimono and Obi to Washi Paper.


(photos courtesy of DVArts Society)


A more recently acquired technique is that of applying screen prints to my work. During the demonstration I printed a number of areas of a canvas I was working on to show the viewers this mode of getting an almost instant application of pattern and motif. 




I also demonstrated the application of gold leaf to a canvas.




(photos courtesy of DVArts Society)


"It was a successful and entertaining evening at the DVAS Rooms.
About 25 people watched Nerina with a bubbly personality demonstrate her artistic skills.
Nerina who uses encaustic wax and gold leafing in her work certainly has some very good
techniques and everybody would have gained something useful from the evening. Her
artwork is very different from the run of the mill and extremely decorative.
Thanks Nerina for coming and also thanks to all the people who came along and showed
support for our DVAS Demonstration Evenings: It was a really good turn-out...."

(excerpt from the newsletter)



This really was a fabulous experience to share my work - thank you all at DVAS for the invitation :)

No comments:

Post a Comment